882 results where found for «Cancion de Chile»

Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
[...]
« Three Indian Songs (Tres canciones indias) »
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Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
Tags:
« I want to recall a night at Villa Grimaldi. »
[...]
«  Argentine singer-songwriter and one of the most important figures in the Nueva Canción movement. »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Music piece by:
Nydia Caro and Riccardo Ceratto
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
Tags:
« I have never been a great music listener. Nevertheless, before the coup I used to listen to Nueva Canción, especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »
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Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
Tags:
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« Meanwhile, we continued in the middle of the belly of the beast, embroidering and singing our song that later, much later, became our anthem: 'Otros esperan que resistas, que les ayude tu alegría, que les ayude tu canción, entre sus canciones. Nunca te entregues, ni te apartes, junto al camino, nunca digas no puedo más y aquí me quedo, y aquí me quedo' (Others expect you to resist, that your joy helps them, that your song helps them among their songs. Never give in or turn away, stay on the path, never say I can’t go on anymore, and here I stay, here I stay). »
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Luchín

Music piece by:
Víctor Jara
Testimony by:
anonymous
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
Tags:
« They said that once you got to the prison of Teja Island, you were safe. »
[...]
«  Famous musicians of the Nueva Canción movement. »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Music piece by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
[...]
«  (1935-2009) Argentine singer-songwriter and one of the most important figures in the Nueva Canción movement. »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
[...]
«  Famous Chilean group of the Nueva Canción movement, with strong affiliation to the Popular Unity coalition. »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, 1989-1990
Tags:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
«  (Cuban) Poetic song form typically featuring voice and guitar, originated in 19th-century Cuba with roots in medieval Europe. The Nueva Trova emerged after the Cuban Revolution and became closely connected with Nueva Canción. »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
David Quintana García
Experience in:
Intendencia de Rancagua, 1973
Tags:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
«  Famous Chilean group of the Nueva Canción movement, with strong affiliation to the Popular Unity coalition. »
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Moments (Los momentos)

Music piece by:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
Experience in:
Campamento de Prisioneros, Tres Álamos, 1974
Tags:
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
[...]
« They punished us for singing songs that were too subversive for them, such as ‘Canción con todos’, popularised by Mercedes Sosa, which says ‘and a river runs in my blood / that releases in my voice / its flow’. »
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